Paul Cunningham
he/his
Poet, Translator, Publisher
Paul Cunningham is a recipient of the Univeristy of Georgia's 2021 Diann Blakely Poetry Prize and the University of Notre Dame's 2015 Sparks Prize Fellowship. He currently co-manages Action Books and manages the MFA in Creative Writing Program at the University of Notre Dame. He is the author of two poetry collections from Schism Press: Fall Garment (2022) and The House of the Tree of Sores (2020). New writing appears in Annulet, BOMB Magazine, Texas Poetry Review, The Ocean State Review, and the anthology A Flame Called Indiana: New Writing from the Crossroads (Indiana University Press, 2023). His translation of Sara Tuss Efrik's play Danse Macabre Piggies was anthologized in Experimental Writing: A Guidebook and Anthology (Bloomsbury, 2024). His poem-films have screened at the Kochi-Muziris Biennale, the MAKE Magazine Lit & Luz Festival, Seattle’s Institute for New Connotative Action (INCA), the Museo Universitario del Chopo in Mexico City, the Prague Microfestival, Ciné Athens, and Rønnebæksholm in Næstved, Denmark. Most recently, Cunningham served as the Fiction Judge for the University of Mississippi’s 2024 Southern Literary Festival and he is a finalist for the 2023 Quarterly West Poetry Book Prize. He holds an MFA from the Univeristy of Notre Dame and a PhD from the University of Georgia.
About Their Work:
I am struck by this parenthetical phrase from a Paul Cunningham poem: (you cannot trust this world/ but you can join the treetop hunts). Cunningham distrusts the world as we see it shaped by the internet sugar rush, by received ill-wisdom, and by all the persistent fears and hatreds that course through our discourse. What he trusts is the vital alchemy of materials brought together, be they chemical, botanical, visual or linguistic. His poetry, even his translations, are a hunt for the languages, the mixed words that will both name our precise illness and uncover the kind of complex wholeness that lurks like a fishpond or bird-flight shadow beneath and above what we see and say. And in Cunningham’s poems, alongside excoriating critique, we get at least glimpses of something better; if as he writes, “fashion is about outer dimensions/ a standing outside a window waiting,” his words suggest how precisely tiny and vast are the dimensions we could see if we looked through that window at our worlds and our acts.
Follow On:
Website(s):
Books (for purchase):
Poetry
Fall Garment (Schism Press, 2022)
The House of the Tree of Sores (Schism Press, 2020)
Translations
Helena Österlund’s Words (OOMPH! Press, 2019)
Sara Tuss Efrik's The Night’s Belly (Toad Press, 2016)
Online Work:
Read for Margin Shift: